This series of collages are small meditations on motherhood, past experiences, and the current political climate. Each work is a graphically composed paper-pieced collage on a board cut into a 3” x 5” rectangle. The small surface allows me to be agile and instinctual when I create my collages. The paper pieces are selected by the color palette, design and Roland Barthes’ theory of punctum. The text is from the British art history book, “The Second Annual Volume of the Walpole Society: 1912-1913.” When a piece includes copy, the viewer must rely on the its storytelling component to comprehend the collage’s context. This body of work is inspired by the graphically pleasing and contextually heavy work of Barbara Kruger, the Femmage works of Miriam Schapiro, and the contemporary paint palettes of painters Heather Day and Jessica Brilli. Once complete, the collage is photographed, edited, and refined. The finished product is a 14” x 8.4” print that is mounted on foam core and hung by a French cleat. This work will continue to be an exploration of the varying aspects personal and societal issues as becoming a mother has influenced the way I interpret my childhood, past experiences, and the world today.